Author name: Kassia Krozser

Writers get obsessed with a project and lock the doors and sit and work at it, like animals in a leg trap trying to chew through the leg, which is not good strategy. My advice is to get out of the house and take a walk, a good first cure for the depression that hits after you’ve been working for a year and it dawns on you that your book is not “Huckleberry Finn” but you must finish it anyway because the publisher’s generous advance has been spent on a new pair of shoes for the baby and she has

Paul Bogaards, an executive for rival publisher Bertelsmann AG’s Alfred A. Knopf, says he took a copy home to his eight-year-old son, Michael, whom he describes as “junked up on Nick, Disney and Club Penguin,” a Web site. Mr. Bogaards says Michael took to it immediately, demanding that his dad test paper airplanes into the night, even missing “American Idol.” He adds: “That’s the good news. The bad news is that he now expects me to build him a treehouse.” He concludes: “Million-copy-plus seller easy, with the shelf life of Hormel Spam.” ‘Dangerous Book for Boys’ Soars to Dizzying Heights

“We need much more of a direct relationship with our readers,” said Susan Rabiner, an agent and a former editorial director. Bloggers have a much more interactive relationship with their readers than publishers do, she said. “Before Amazon, we didn’t even know what people thought of the books,” she said. . . . “It’s the way this business has run since 1640,” he [Al Greco, a professor of marketing at Fordham University] says. That is when 1,700 copies of the Bay Psalm Book were published in the colonies. “It was a gamble, and they guessed right because it sold out