Author name: Booksquare

Dissecting the publishing industry with love and skepticism.

Is Honesty Even The Goal?

Better minds than ours have sliced and diced the Kirkus paid reviews decision. Questions like are they crazy, won’t this destory their hard-earned reputation, and is this an ethical approach have been debated and answered. We won’t bother with our thoughts. Okay, we will. Is it our fault we were born with an opinion on everything? First, to answer the question posed by the Christian Science Monitor: no. When one pays a lot of money (and, given the income to output ratio in self-publishing, $350 is a lot of money), one doesn’t want to be trashed in the process. To […]

Books/Mags/Blogs

Lost in Translation?

We can’t explain how it happened, but, when we were in Japan, we found ourself without anything to read. Clearly, someone miscalculated the number of books to pack — it is not a myth that you will find yourself awake in the middle of the night (and the Tsujiki Fish Market, while interesting, isn’t the tourist destination you’re lead to believe). We did make a vague stab at our traditional cure for reading withdrawal. Let’s just say the English-language selection at the bookstore-in-a-department-store wasn’t quite what we wanted. Something tells us we’d more successful now (not that we aren’t perfectly

Square Pegs

We’re Not Sure “Publishing” and “Cool” Should Be Allowed in the Same Sentence

Now, don’t get us wrong — we support the concepts behind Simon Spotlight Entertainment. There is a dearth of books geared toward the, uh, hipper audience. Wow, we can’t even type that word without sort-of giggling. Maybe it’s because by the time there’s a book, the cool factor has frozen. That and we’re pretty sure Ashlee Simpson is a made-up celebrity. We do like the idea of a publisher who can respond quickly to modern culture — and one who is willing take risks (now, how willing the corporate parent will be is another question). MediaBistro’s interview with Jen Bergstrom

Publishers and Editors

To Us, Adventurous Is Windows

At this point in the morning (where we are just now able to type something without the operating system going “nanny nanny boo boo” at us), we assume it’s the height of wildness to be using a PC. This, we suspect, doesn’t make us an idea candidate for Susan Golomb. She likes her authors on the edge (in some cases, literally) but alive. This is why, while she’s had an Oprah author or two, she’s not crazy about the new requirements for the book club. Along with agents Kim Goldstein and Sabine Hrechdakian, Golomb focuses on adventurous fiction and interesting

Agents

On Gifts That Keep on Giving

“Once you blurb one book,” [Scott Turow] says, “it’s like giving to charity. No good deed goes unpunished. That is the first law of blurbing. As soon as you’re kind enough to do this for somebody, then everybody in the world is there with their hand out or a manuscript.” Buried by the blurb

Quote of the Week

Taking Her Bows

Sarah Weinman’s crime fiction review column has debuted at the Baltimore Sun. Not that we’re surprised, but her reviews are honest and succinct — just enough to intrigue, not so much that reading the book will be anti-climatic. And she’s strengthened our resolve to try the Sujata Massey series as soon as we can. Murders in big cities; violence in small towns (Note: registration required. Sigh.)

Books/Mags/Blogs

Last Person Who Can Judge Artistic Integrity? The Artist

We knew a woman who bragged that her editor didn’t edit her. No really — she thought this was a good thing; being the type to investigate on our own, we read her book. It was a bad thing. Editors may be doing less (and less) hardcore editing these days, but they do continue to serve as a reality check for writers. While the year has been filled with self-publishing success stories, we find that we’re growing increasingly wary of the concept. We still believe it’s a valid choice for some authors, but continue to worry about the lack of

Square Pegs

The Map Is Not The Territory

Dan Green (The Reading Experience — an absolute must-read, in our opinion) picks up on one of our favorite themes: artists who “disappoint” by not producing clones of previous successes. He notes that the motion picture business thrives on repeat successes, so it expected in other media. The publishing industry, alas, can’t turn around fiction rapidly enough to build on the same concept. Which, we maintain, is the best possible thing for our society. Locking authors into slots is a product of a marketing-dominated business. Marketing, rather than editorial influence, has become a dominant factor. We like money, don’t get

Tools and Craft

Absolute Beginners

We imagine there are first-time authors out there who sell their books, negotiate their contracts, undergo the editing process, build websites, acquire agents, and stare at their first covers without us. But not Jill. She has helpfully included us in every moment of her first book experience. Even when she knows full well that calling us at the crack of (our) dawn never works — we’re the oldest of seven…we’ve ignored louder, more irritating things than ringing phones. Jill has remained our friend despite our differences when it comes to the most basic beliefs. When confronted with a choice to

Square Pegs

Is That A Panther in Your Pocket?

Due to the extreme need to test-drive Entourage for a client, the husband took a long look at our iBook this morning. It is, he declared, a wonderful piece of art (would that all art be orange), but it is insufficient for our current needs (less bulk, longer battery life, memory, speed, bigger hard drive). We blinked and smiled, bearing in mind the advice of the great Arlene Dahl: Always let him think it’s his idea. So, off we went to the place where we buy our laptops (for some reason, we enter physical establishments for laptops, but always get

Tools and Craft
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