On The Future of Publishing

We see the result — and the future — in this student exercise. Canadian publishing will fall easily into step with the rest of the multinational corporate publishers who see books as a peripherally profitable sub-genre of entertainment. Books will capitalize on trends — not create them. Clever ideas and excellent packages will dominate, but only occasionally will real depth and substance — what books give us that no other medium offers — emerge. As the giants of CanLit retire, they’ll be replaced by their non-fiction facsimiles. The Future’s Books from Nowhere: When students were assigned to play at being […]

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A Brief Contest Announcement

In its continuing quest for publicity, lulu.com has announced a new contest. We report, you decide: The website Lulu.com, which enables amateur authors to publish and sell their own books, is sponsoring the first literary prize for “blooks” — or books based on blogs or websites. In, uh, related news, Susan Gable informs us that lulu.com has also added to its product line. They have moved into useful items. Meanwhile in the U.S., the Blooker Prize is born Rejection Toilet Paper

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The Confused View of Literature, We Salute You

There is a thing called “the heat of the moment”. We’ve all encountered it. It happens when you get all worked up about something and engage in rash behavior. It is often a moment one lives to regret. Either that, or you wear your moment as a badge of honor for the rest of your life. We are not one to question the heats of others moments, but surely you all recall that the 2004 Nobel Prize for Literature was awarded, give or take, a year ago. For many reasons, Elfriede Jelinek’s selection was a controversial — or at least

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We’d Like To Thank, Well, Someone

The first annual Quills Awards has come and gone. Except we think there’s going to be a televised special. We will continue to puzzle over the lack of suspense airing a show after the awards have been announced will create*. We swear that sentence made sense before we typed it. We will also puzzle over this: But the Quills can hardly claim a broad mandate with readers. According to comScore Networks Inc., which tracks the Internet, the Quills site attracted so little Web traffic during the voting period, fewer than the threshold of 25,000 unique visits a week, that it

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Mood Scale: Just Below Crabby

We will warn you in advance that we are feeling disagreeable this morning*. And we will admit we read Brenda Coulter’s post on romance novels and reviewing while in this mood. She started her post with this statement, quite possibly certain that someone would take exception to her position: The world of published romance writers is a small one, and many of us have forged some strong friendships within it. Also, it’s disloyal for an author to trash the books of someone who writes for the same publisher she does. But although nobody can spot the faults in a romance

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In The Age of Acquisition

Rumors have been swirling for some time that Harlequin Enterprises was planning to move into the African American market. In-house development was reportedly proceeding and helpful observers sat on the sidelines, wondering if this was yet another boondoggle. Then the publishing giant (they are more than romance, you know) turned around and did something practical — they acquired an established imprint. Hello? What sort of logical business notion is that? They’ve gone and purchased the assets of BET Books Popular imprints Arabesque, Sepia and New Spirit. For those who haven’t been paying attention, the Arabesque imprint was one of the

Publishers and Editors

Think Piece

Laila Lalami (known to many as MoorishGirl) has written as essay for Powell’s about the strange relationship American fiction has with poverty. Or rather it’s about the lack of relationship. She asks: And yet, despite the increasing divide between the haves and the have-nots that affects the entire world, where is the talk of the state of fiction in the age of poverty? Where are the novels that address class divides? Why aren’t people wondering whether fiction can truly reflect a reality where the richest monopolize media attention while the poorest are seen only in times of crises? Since reading

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Because November Is The Oddest Month

We have never fully understood why the fine folks at National Novel Writing Month chose November for their annual endurance test — clearly someone in charge didn’t fully study the complext negotiations and processes involved with preparing Thanksgiving dinner. After dealing with family issues, who has the energy to write 50,000 words in a single month? Other than the thousands of NaNo participants, we mean. So it’s not quite game on, but it’s game ready. Time to sign up, make your excuses, learn to work the crockpot (our helpful tip: put the plug thingy into a nearby outlet). National Novel

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Continuing Awards Season Coverage

Okay, not really. Others have far more energy for following the Wild World of Awards, and we leave the analysis to them. It is our job to find those nuggets of useful advice in the swirl of news. For example, Ron Hogan continues his guest stint at Galleycat (at what point does a guest become a permanent resident, if only by apartment-dwelling standards?) with a few observations about the Orange Awards, mainly relating to unfortunate photo moments. His final note, however, is the most important: I could also observe that the Orange Prize is black, and the Orange of Oranges

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On Subjectivity

And Kevin Guilfoile, author of Cast of Shadows, points out: “When you read all the reviews of the same book (and no one does this except the author) you realize how often they flat-out contradict each other. There’s No Crying in Criticism

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