Why We Love History
Our fascination with The DaVinci Code comes not from the book itself (though we were shocked to discover it weighs in at 600 pages — we had no clue, which is a testament to the pacing), but the reaction to the book. We recently met a man who told us we were wrong about history; he asserted that history is concrete, unmoveable. What you see is what you get. There are no variables. Especially when that history is captured by film or photographs. “But what about,” we wondered, “the person standing just outside the picture? What do they see?” It […]
